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Hysteria is Jane Austen with a vibrator—a movie about the invention of the scandalous electro-mechanical device that changed women’s lives forever. Set in the Victorian era of scientific ignorance and cultural Puritanism, its style is still more Restoration comedy than Victorian decadence—postcolonial feminism with a temperament more Austen than Bronte. Nothing to snicker about here. Considering the subject, ripe with titillating possibilities, it’s surprisingly about as sexy as a week-old meat loaf. Tastefully directed by Tanya Wexler, it is a total joy from start to finish.
At the pinnacle of Victorian prudishness, when ignorance and disease were the order of the day, rusty surgical tools were prevalent and bleeding with leeches was a popular treatment for everything from gout to gonorrhea. Hysteria was the term used to diagnose nervous conditions in women suffering every sexual disorder from frigidity to an overstimulated uterus. This is the true story of Dr. Mortimer Granville (played by the charming Hugh Dancy), a progressive doctor devoted to advancing the suppressed sexual pleasure of women, enriched with witty dialogue, elegant production values and an intelligent screenplay that expands the historical canvas of life in London to include class prejudices as well as social hypocrisy. Disillusioned with the medieval practice of medicine in an England of chaos (this is also the year of Jack the Ripper and the Elephant Man), Dr. Granville was ready to denounce his Hippocratic Oath when he found employment as an assistant to Dr. Robert Dalrymple (Jonathan Pryce), an elderly “specialist” experimenting with the treatment of housewives with sex problems and a foremost expert on the subject of “hysteria.” Eschewing warm baths and horseback riding in favor of vaginal massages, his business was already booming. But when the younger, more appealing Dr. Granville develops his own brand of manual finger manipulation, eager patients filled the waiting room with renewed reason to come out of their corsets. What nobody ever thought possible was the mysterious fact that all of these stressed-out women were experiencing something nobody had considered: They were just plain horny!
The result was heaven for the patients, but hell on the doctor’s hand. Suffering from severe cramps and nerve spasms that required the use of a cast, the good doctor turned to a goofy prissy-pot friend with a passion for gadgets named Edmund St. John-Smythe (a hilarious Rupert Everett) to invent a motor-driven stimulus that could be applied to a woman’s lower anatomy without overtaxing the wrist and fingers. The result was nothing short of a revolution. In the plot trajectory, Dr. Granville also attracted the attention of the elderly Dr. Dalrymple’s two daughters: placid, proper, obedient and favorite daughter Emily (Felicity Jones) and headstrong, outspoken Charlotte (a marvelous Maggie Gyllenhaal), a suffragette who disgraces her father by running a settlement house for the impoverished prostitutes of the East End slums. There is evidence galore that the vibrator contributed to the sexual independence of enlightened free-thinkers in the future of liberated women everywhere. Muffled praise of the vibrator eventually gave way to cries of “Heigh-ho, the dildo!”
Instead of provocative prurience, Hysteria brims over with humor and sweetness. Far from dogmatic, it is agreeable, lyrical, carefully scripted and acted with great feeling by an exemplary cast. The film is also an eye-opening footnote to history as it depicts a time so backward that women with libido challenges were declared insane and sent to asylums or punished by court-ordered hysterectomies. Don’t miss the closing credits, displaying a wonderful collection of museum-quality illustrations of changing styles and designs from the mid-19th century to the ugly plastic drug store models of today. The liberating vibrator may have started out in Victorian England, but eventually made it to the Sears Roebuck catalogue and, in the final and funniest scene in the picture, even Buckingham Palace. A clever, quick-witted, informed and terrific movie!
rreed@observer.com
HYSTERIA Running time 100 minutes Written by Stephen Dyer and Jonah Lisa Dyer Directed by Tanya Wexler Starring Maggie Gyllenhaal, Hugh Dancy and Jonathan Pryce
Rhys Chatham, the legendary guitar player and former musical director at The Kitchen, will be performing at Postmasters Gallery with performance artist GH Hovagimyan at the gallery on June 24. The news comes from a Tweet by Magdalena Sawon, Postmasters owner and co-director. Read More
This Tyrannosaurus bataar can be yours! (Ha.com)
Who among us has not dreamed of one day owning a life-sized Tyrannosaurus Rex skeleton, like the one in the lobby of Jurassic Park that eventually gets destroyed when the real T-rex does battle with the raptors? Next to owning an actual dinosaur, a dinosaur skeleton is the next best thing, especially since it can't turn against you and eat all your loved ones.
Unfortunately, The Natural History Museum has a nasty habit of buying up all the dinosaur bones and keeping them out of the hands of private owners, so they can charge their exorbitant museum fees and not let you even touch the 70-year-old fossils. Lame.
But that will all change this Sunday, thanks to the best auction item in the history of New York: an 8-foot tall, 24-feet wide Tyrannosaurus bataar. The 70-80% complete specimen will be sold to the highest bidder during the Natural History & Fine Minerals Signature Auction (facilitated by Heritage Auctions). The live auction will take place May 20th, 12 p.m. CT, at 548 W. 22nd St. It is the first Tyrannosaurus skeleton to be auctioned since 1997, when dino "Sue" sold for $8.7 million. You can currently place bids for the T-bataar online, where the reserve amount begins at $875,000.
The lot description is pretty amazing:
This is an incredible, complete skeleton, painstakingly excavated and prepared, and mounted in a dramatic, forward-leaning running pose. The quality of preservation is superb, with wonderful bone texture and delightfully mottled grayish bone color. In striking contrast are those deadly teeth, long and frightfully robust, in a warm woody brown color, the fearsome, bristling mouth and monstrous jaws leaving one in no doubt as to how the creature came to rule its food chain. Equally deadly and impressive are the large curving claws, with pronounced blood grooves. The body is 75% complete and the skull 80%, and it is mounted on a discreet gray-painted armature. Measuring 24 feet in length and standing 8 feet high, it is a stupendous, museum-quality specimen of one of the most emblematic dinosaurs ever to have stalked this Earth. Bone map and restoration details available upon request. Estimate: $950,000 - $1,500,000.
Equally dead and impressive, like Johnny Depp in Dark Shadows! We can feel our bidding finger itching.
If you can't afford the hefty price-tag, check out some of the Natural History's other lots, which include a Dodo bird skeleton cast (bidding currently at $4,250), a full-scale taxidermy tableau of a lion eating a warthog (reserve amount at $11,000), or a giant swordfish rostrum (current bid at $900).
This place is teaming with baddies. (Cornell)
After they came after our hummus, it was only a time before they came for our mobile app engineers.
Anti-Israeli groups set on depriving New York of two of its most important commodities have moved on from the dowdy old Park Slope Food Co-op to the shiny new Roosevelt Island tech campus. What do both have in common? A commitment to the environment and Israeli imports. Curbed has spotted a new group, New Yorkers Against Cornell-Technion, dead set on stopping the new tech campus, Mayor Bloomberg's biggest achievement since the smoking ban, because of the affiliations of Cornell's lesser-known (on these shores) partner.
According to the New Yorkers Against Cornell-Technion's website, Technion is complicit in every nefarious Israeli deed from the settlements to circumcision.
What the public was not told is that The Technion is complicit in Israel’s violations of international law and the rights of Palestinians, specifically by designing military weapons and developing technologies that are used to drive Palestinians off their land, repress demonstrations for their rights, and carry out attacks against people in Lebanon, Gaza, and elsewhere. For these reasons, The Technion is directly implicated in war crimes. Furthermore, The Technion practices institutional discrimination against Palestinian students by severely restricting their freedom of speech and assembly, and rewarding Jewish students who, unlike Palestinians, perform compulsory military service in Israel. This is in direct contrast to Cornell University’s founding values of universalism and inclusion embodied in the university’s motto “any person any study”. Any collaboration with The Technion makes a university likewise complicit.
What the public was not told is that The Technion is complicit in Israel’s violations of international law and the rights of Palestinians, specifically by designing military weapons and developing technologies that are used to drive Palestinians off their land, repress demonstrations for their rights, and carry out attacks against people in Lebanon, Gaza, and elsewhere. For these reasons, The Technion is directly implicated in war crimes.
Furthermore, The Technion practices institutional discrimination against Palestinian students by severely restricting their freedom of speech and assembly, and rewarding Jewish students who, unlike Palestinians, perform compulsory military service in Israel. This is in direct contrast to Cornell University’s founding values of universalism and inclusion embodied in the university’s motto “any person any study”. Any collaboration with The Technion makes a university likewise complicit.
Emphasis theirs, and while there is no mention of circumcision, Alan Dershowitz would agree that that cannot be far off.
mchaban [at] observer.com | @MC_NYC
We direct your attention to the New Yorker, where Supreme Court Justice Ruth Bader Ginsburg has told the magazine's classical music critic Alex Ross about her favorite records. Bow howdy is there some good music here (it's all opera, so stop reading if you don't care about that).
Some selections including Verdi's Otello, Dvořák's Rusalka, Eugene Onegin by Tchaikovsky and The Rake's Progress by Stravinsky.
Listen, this isn't exactly news, but it's not every day you hear someone say their favorite opera is Otello. Good enough for us! The full list is here.
ZOMG SEX.
Now, in keeping with the times, they are apparently adding one more item to the cornucopia of sexually-enabling wares they already offer:
Fifty Shades of Grey.
Yes, the bestselling novel ostensibly with some kind of plot but most significantly with characters engaging in bestselling BDSM sex within its pages that have enraptured and titillated so many Americans horny suburbanites and overwrought newspaper columnists already is, at least in one bodega, as crucial to their supply as a box of Mallowmars in December.
Writer and founding editor of Jezebel.com Anna Holmes Tweeted out "There are now bodegas in NYC selling 'Fifty Shades of Grey'" with the following photographic evidence:
To be fair, the top books are Fifty Shades Freed, one of the titles in the Fifty Shades series. And it's only one bodega! That said, the bodega industry operates much like the collective consciousness, which is to say: Once an idea's out there, they're all on it. Like selling K-2, or whatever the latest fake synthetic drug is. Which also goes without mentioning they all use a bunch of the same suppliers.
Seeing a bodega stock a popular book isn't uncommon: When the last few Harry Potter books came out, not a few bodegas snatched some copies and marked them up in exchange for the convenience of having them around for their neighborhood regulars. But copies of Fifty Shades, while selling well, aren't inducing bookstore-raiding pandemonium. But it apparently has enough of a draw to appear on a bodega register. And if there's one constant among all of New York City's bodegas and the unique, unlikely items they sometimes sell, it's that someone will always buy it.*
Regardless, for whatever the milestone "A Book Carried by New York City Bodegas" is worth, Fifty Shades of Grey has finally reached it. Duly noted.
[*Exception: The cat. Nobody ever pays for boedga cats. If you've ever paid for a bodega cat, you have been despicably hosed.]
fkamer@observer.com | @weareyourfek/
David Einhorn, everyone's favorite short seller (well, not everyone), said he was shorting Martin Marietta Materials at the Ira Sohn Conference today, and the producer of construction materials promptly dropped 8.3 percent. Over at the other end of the Nasdaq, Herbalife surged, presumably on news that Mr. Einhorn had not presented an argument for shorting the nutritional supplement maker.
Herbalife, you'll remember, is the company that lost nearly one quarter of its value two weeks ago after Mr. Einhorn asked executives some questions about the company's business model on an investors' conference call.
Seriously folks, this seems a bit ridiculous. The guy isn't always right. Steve Ballmer is still running Microsoft. The Wilpons are still ruining the Mets.
UPDATE: Herbalife had gained 17 percent when markets closed, which, you know, Mr. Einhorn never said he wasn't shorting the stock.
[Photo by Ethan Miller/Getty Images]
The wonderfully grimy Lower East Side bar White Slab Palace, a kind of art world hub and site of the short-lived exhibition space The Slab, will be replaced this weekend by a new restaurant called the Gray Lady, Bowery Boogie reports. Read More
Real estate investor David Werner is buying the upper portion of the Woolworth Building for a reported $70 million.
Mr. Werner, a Brooklyn-based buyer, has made several notable acquisitions in the recent past. Last November he entered into contract to purchase the prominent Long Island City skyscraper 1 Court Square, a 700,000-square-foot office tower largely occupied by Citibank, for a little under $500 million from SL Green.
Reached in his office, Mr. Werner said he couldn’t speak until the contract for the deal for Woolworth’s space closes in about 10 days. Read More